Dr Hongwei Bao participated in the ‘Quo Vadis Cultural Studies?’ Research
Symposium and Public Roundtable organised by the University of Potsdam and
Humboldt University in Berlin on November 2. He gave a talk titled ‘The “Asian
Problem”: on the Radicalisation of Cultural Studies’.
In the talk, he addressed
the widely-observed phenomenon in UK universities that, with the
neoliberalisation of higher education and the institutionalisation of Media and
Cultural Studies, many Asian students have entered UK universities to study higher
degrees in Media and Cultural Studies. This has provided an excellent opportunity
to experiment on the internationalisation, or rather, the ‘translation’ of
Cultural Studies in the transnational and cross-cultural context. However,
teachers and administrators in British Media and Cultural Studies have not yet fully
understood the educational and cultural backgrounds of these Asian students.
Nor has it fully met the Asian students’ demands, needs and difficulties. This
has led to increasing misunderstandings on the part of both teachers and
students, and, furthermore, a heightened pessimism about the future of
internationalising Media and Cultural Studies. In this process, the ‘Asian
student’ has been constructed as a ‘problem’ for Media and Cultural Studies; it
is seen as a subject that is deficient in linguistic and intercultural
communication competence and incapable of critical thinking, thus unfit for pursuing
the commonly-conceived linguistically-challenging and theoretically-sophisticated
subject of Media and Cultural Studies. Furthermore, the discourse of ‘Asian
pragmatism’ also circulates widely based on the observation of many Asian
students take more career-oriented and practical-skill-intensive Creative
Industry and Media Practice subjects. As Media and Cultural Studies celebrate
its anti-hegemonic and egalitarian ideals, it has also created biases,
hierarchies and epistemic violence itself when encountered with the racialised
and cultural Other. Thus teaching Cultural Studies to an international audience
with diverse linguistic and cultural backgrounds can be seen as a de-colonising
and anti-hegemonic political project: it is to critically reflect on the
privilege and the Anglocentrism of the British Media and Cultural Studies on
the one hand, and to open up the horizons and parameters of Media and Cultural
Studies so as to better address issues and problems in the transnational and
crosscultural context, on the Other.
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