Ameliorative Homecomings: Framing the Queer Migrant in Documentary

 Ameliorative Homecomings: Framing the Queer Migrant in A Sinner in Mecca (2015) and Who’s Gonna Love Me Now? (2016) 

published in The Garage Journal: Studies in Art, Museums & Culture, Issue 01 ‘Transitory Parerga: Access and Inclusion in Contemporary Art,’ edited by Vlad Strukov (University of Leeds): pp. 245-263. [open access link]

Cüneyt Çakırlar's study critically analyzes the themes of queer migrancy and homecoming in two recent documentaries. Parvez Sharma’s A Sinner in Mecca (2015) documents the filmmaker’s journey from the U.S. to Saudi Arabia for his hajj pilgrimage. Using an essayistic, first-person documentary register, Sharma constructs a tension around his attachments to nation, religion, and sexuality. While the film offers a critique of religion as a punitive state apparatus, Sharma’s pronounced proprietorial relation to a migrant gay Muslim identity functions in progressive counter-valence. Tomer and Barak Heymann’s portrait documentary, Who’s Gonna Love Me Now? (2016), tells the story of Saar, an Israeli gay man who was expelled from his Jewish community in Israel and has emigrated to London. Treating Saar’s HIV diagnosis as the marker of an affective crisis, the film oscillates between two distinct spaces of domesticity: Saar’s family in Israel, and his circle of friends in the U.K. In both films, the conflict between religion, national belonging, and sexual identity is resolved through a normative pull towards home and its affective restructuring of intimacy in the context of queer migrancy. The ameliorative status of homecoming operates as a default resolution in these films. A longing for home is that which both films register as the constitutive attachment of the queer migrant.

 

Keywords: affect, essay film, first-person, intersectionality, LGBTQ documentary, migration, religion, sexuality, transnationalism

To access the open-access journal, visit https://thegaragejournal.org/en/

The Garage Journal: Studies in Art, Museums & Culture is an independent interdisciplinary academic platform that advances critical discussions about contemporary art, culture, and museum practice in the Russian and global contexts. It publishes original empirical, theoretical, and speculative research in a variety of genres, celebrating innovative ways of presentation. Fully peer-reviewed, The Garage Journal provides an open-access source book of ideas for an international audience.

Queer Impact and Practices

Queering Paradigms III: Queer Impacts and Practices is a new collection edited by Liz Morrish (co-edited with Kathleen O'Mara of SUNY Oneonta) which will be published soon by Peter Lang.

Their book brings together chapters arising from the third annual Queering Paradigms conference. Queer Theory is still evolving and extending the range of its enquiry. It maps out new territories via radical contestations of the categories of gender and sexuality. This approach de-centers assumptions of heteronormativity, but at the same time critiques a new homonormativity. 

In this collection, Liz and Kathleen incorporate the work of queer theorists and queer activists who are seeking new boundaries to cross, and new disciplines and social relations to queer. The sections of this book interrogate the impact of Queer Theory in studies of culture, nationalism, ethnography, intimacy, the social sciences as well as activism. Chapters address contemporary theorizing about gay citizenship and ‘homonationalism’ as well as a critique of gay visibility. Authors examine the symbolics of queer subversion and transgression in performers who transgress gender and sexuality codes. Queer activists extend their analysis into the world of punk, Buddhist religious teaching and Native Studies. Recent work attempts to transform several disciplines within the social sciences: linguistics, psychology, and ethnography.  Their book aims to demonstrate that Queer Theory, as well as being a disposition, is now deployed by many researchers as a legitimate framework of analysis which questions many of the categories, constructs and relationships we encounter in twenty-first century society.