In 'Bedlam in Mind', published in the European Journal of Cultural Studies, he explores the mythical Bedlam of popular imaginings. London’s Bethlem Hospital was
for centuries a unique institution caring for the insane and its alter ego ‘Bedlam’ influenced popular
stereotypes of insanity. For instance, while the type of vagrant beggar known
as a ‘Tom of Bedlam’ was said to have disappeared from English society with the
Restoration, the figure of Mad Tom retained a visual and vocal presence within
popular musical culture from the seventeenth century up to the present era.
Using the ballad ‘Mad Tom o’ Bedlam’ as a case study, he illustrates how an early
modern stereotype of madness has maintained continuity within a popular song
tradition whilst undergoing cultural change.
In 'Laughing at Lunacy', published in Social Semiotics, Simon examines what is at stake in humour about the 'mad' and 'madness'.
Jokes and
humour about mental distress are said by anti-stigma campaigners to be no
laughing matter. However, his article takes issue with this viewpoint arguing that this
is clearly not the case since popular culture past and present has laughed at
the antics of those perceived as ‘mad’. Drawing on past and present examples of
the othering of insanity in jokes and humour the article incorporates a
historical perspective on continuity and change in humour about madness/mental
distress, which enables us to recognise that psychiatry is a funny-peculiar
enterprise and its therapeutic practices in past times are deserving of funny
ha-ha mockery and mirth in the present. By doing so, the article also argues
that humour and mental distress illuminate how psychiatric definitions and
popular representations conflict and that some psychiatric service users employ
comic ambiguity to reflexively puncture their public image as ‘nuts’.
Simon Cross, (2012) Bedlam in Mind: Seeing and Reading Historical Images of Madness. European Journal of Cultural Studies.
Volume 15(1) February, pp. 19-34.
Simon Cross (2012) Laughing at Lunacy: Othering and comic ambiguity in popular
humour about mental distress. Social
Semiotics. Currently iFirst Article.
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