Thursday, 7 November 2013

Shifting Dialogues II: Sexual Artifice in Asian Art and Performance

The Asian Art and Performance Consortium (AAPC) of the Academy of Fine Arts (Kuva) and the Finnish Theatre Academy Helsinki (Teak) hosted a symposium focusing on manifestations of sex, sexuality and gender in Asian art and performance on 17-19 October. This was the second symposium organized under the ongoing research project, Shifting Dialogues. The project is funded by the Academy of Finland in 2011-2014.

Following the focus on “The Politics of Site, Locality & Context in Performance and Visual Arts” last year, this year’s project targets at issues of sexual embodiment and gender subjectitivy in Asian/Asiatic art-practice with emphasis on performance arts, film, video art, installation, live art, and dialogical work.

In his paper “Troubled Objects of Nationalism and Masculinity”, Cüneyt Çakırlar explored the role of scalar, regional, and global/international discourses in contemporary art criticism. Cüneyt’s paper discussed the practice of a selection of artists producing work from/on/about the Middle East (Erinç Seymen, Taner Ceylan, Akram Zaatari, Slavs and Tatars, etc.). Questioning their critical use of geo-political location, region and scale in their aesthetic framework, Cüneyt talked about performative, transregional methodological/theoretical approaches to globalized art forms, which would contextualize, if not re-enact, the ways in which these artistic subjectivities inhabit the world.


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